Algonquin Books is proud to celebrate a quarter-century’s worth of stellar short stories with the publication of its annual anthology, NEW STORIES FROM THE SOUTH. Over the course of the week, we’ll be featuring spotlight interviews with series editor Kathy Pories, contributor Wells Tower, guest editor Amy Hempel, and founding series editor Shannon Ravenel. AndContinue reading

On August 17, Algonquin will publish its 25th volume of New Stories from the South, guest edited this year by short story master Amy Hempel. Hempel has selected 25 stories by 24 authors (yes, one author, Brad Watson, has two phenomenal stories in the collection) for this deluxe anniversary edition. Keep your eye on theContinue reading

Contrary to popular belief, not all writers sit in dark corners scribbling their serious, serious story about how gloomy and awful life is. Most writers use laptops now. Others, like George Singleton, forgo the expected, ho-hum gloom and doom stories and instead write dry, hilarious stories about eccentric characters and their bizarre run-ins with charactersContinue reading

I admit it: I love a great villain. A knowledgeable writer goes beyond the sometimes bombastic, destructive wake of a villain, provides opportunities for the character to change – or adamantly refuse to change – then peels away the character’s veil to reveal a small, vulnerable, pathetic person. In Kevin Wilson’s keen and meticulously writtenContinue reading

Hey friends, we have good news: On August 17, Algonquin will publish its 25th volume of New Stories from the South! And the guest editor? None other than the amazing Amy Hempel. (Check out an in-depth interview with her here). Hempel has selected 25 stories for this deluxe anniversary edition. And the writers who willContinue reading

Flash fiction is a difficult form to pull off, and many times stories in that form can feel more like scenes rather than turning points or moments of recognition. And speaking of difficult forms, stories written from the perspective of second person can seem stagey, or worse, presumptuous. But good writers are always able toContinue reading